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AGC
Automatic Gain Control. When enabled, the camera's sensitivity is
automatically increased when the level of ambient light drops.
Automatic Gain Control. A circuit for automatically controlling
amplifier gain in order to maintain a constant output voltage with a
varying input voltage within a predetermined range of
input-to-output variation.
APERTURE
The aperture of a lens controls the amount of light which can reach
the pickup device (image sensor when relating to video). The size is
controlled by the iris adjustment. By increasing the F-number (F1.2,
F1.8, etc), less light will be permitted into the sensor.
ATC
Auto-tracking White Balance. This is a white balance feature that
accepts many types of lighting conditions by using an automatic
tracking system that automatically controls the color temperature
range from 2,400K to 10,000K. ATW mode ensures reliable color
reproduction when lighting conditions change frequently.
AUTO IRIS
Automatic method of varying the size of the lens aperture in
response to changes in light. This is a function of the lens or the
camera
AWC
Preset White Balance. AWC is suitable where a lot of white objects
appear in the scene. Also it is suitable for situations where the
object merges into the scene with a similar color shade.
AUTO BALANCE
A system for detecting errors in color balance in white and black
areas of the picture and automatically adjusting the white and black
levels of both the red and blue signals as needed for correction.
AUTOMATIC BRIGHTNESS CONTROL
In display devices, the self-acting mechanism which controls
brightness of the device as a function of ambient light.
AUTOMATIC GAIN CONTROL
A process by which gain is automatically adjusted as a function of
input or other specified parameter.
AUTOMATIC IRIS LENS
A lens that automatically adjusts the amount of light reaching the
imager.
Backlight Compensation
A feature that compensates for bright backgrounds so foreground
objects aren't silhouetted.
BNC
Bayonet Nut Connection. Also known as several other names. A
connector for coaxial cable that is used in video connections and
RG58 connections. The connector has a bayonet-type shell with two
small knobs on the female connector which lock into spiral slots in
the male connector when twisted on. BNC connections are easily
adapted to RCA style jacks and plugs.
BROADBAND
High speed transmission. Allows for a wide band of frequencies on a
single link. Different channels or frequencies within the band can
send information concurrently, allowing more information to be
transmitted within a short period of time. This allows for access to
voice, data, and video all at the same time. DSL and cable TV
providers are considered suppliers of downstream broadband. In
television system use, a device having a bandpass greater than the
band of a single VHF television channel.
BANDWIDTH
The number of cycles per second (Hertz) expressing the difference
between the lower and upper limiting frequencies of a frequency
band; also, the width of a band of frequencies.
BAR TEST PATTERN
Special test pattern for adjusting color TV receivers or color
encoders. The upper portion consists of vertical bars of saturated
colors and white. The power horizontal bars have black and white
areas and I and Q signals.
BLOOMING
The defocusing of regions of the picture where the brightness is at
an excessive level, due to enlargement of spot size and halation of
the fluorescent screen of the cathode-ray picture tube. In a camera,
sensor element saturation and excess which causes widening of the
spatial representation of a spot light source.
BRIGHTNESS
The attribute of visual perception in accordance with which an area
appear to emit more of less light. (Luminance is the recommended
name for the photo-electric quantity which has also been called
brightness.)
BURNED-IN-IMAGE
Also called burn. An image which persists in a fixed position in the
output signal of a camera tube after the camera has been turned to a
different scene or, on a monitor screen.
CCD
Charged Coupled Device. A sensor that collects light and turns it
into an electrical signal. As compared to CMOS sensors, it has
greater sensitivity to light, better tonal range, and less noise
which provides superior quality. CCD will hold onto the high-end
CCTV market for some time to come. For imaging devices, a
self-scanning semiconductor array that utilizes MOS technology,
surface storage, and information transfer by shift register
techniques.
CCD Format
The active imaging area of a CCD sensor, measured corner to corner.
CCTV
Closed-Circuit Television
CMOS
Complementary Metal Oxide Semiconductor. A semiconductor fabrication
technology that achieves low power dissipation. These types of
devices are used in digital camera imaging sensors and consume less
energy than other imaging devices, are inexpensive, but provide
lower image quality compared to CCD sensors.
COAXIAL CABLE
The type of cable most commonly used to transmit video.
COMPRESSION TECHNIQUES
There are several standardized formats for compressing video data.
First off, video data needs to be compressed due the enormous amount
of data being collected to replicate visual detail and motion. Two
fundamental concepts to realize when deciding which video
compression technique best suits your needs includes storage
consumption and video quality. The most common video compression
formats are MJPEG, MPEG-2 (DVD standard), MPEG-4, and Wavelet.
C MOUNT
A television camera lens mount of the 16 mm format, 1 inch in
diameter with 32 threads per inch.
CCTV
Common abbreviation for Closed-Circuit Television.
CHARGE-COUPLED DEVICE
COAXIAL CABLE
A particular type of cable capable of passing a wide range of
frequencies with very low signal loss. Such a cable in its simplest
form, consists of a hollow metallic shield with a single wire
accurately placed along the center of the shield and isolated from
the shield.
COLOR BURST
That portion of the composite color signal, comprising a few cycles
of a sine wave of chrominance sub carrier frequency, which is used
to establish a reference for demodulating the chrominance signal.
Normally approximately 9 cycles of 3.579545 MHz.
COLOR SATURATION
The degree to which a color is free of white light.
COMPOSITE VIDEO SIGNAL
The combined picture signal, including vertical and horizontal
blanking and synchronizing signals.
COMPRESSION
The reduction in gain at one level of a picture signal with respect
to the gain at another level of the same signal.
CONTRAST
The range of light to dark values in a picture or the ratio between
the maximum and minimum brightness values.
DDNS
Dynamic Domain Name System. Allows for a dynamic or constantly
changing IP address to be assigned to a networked device while
allowing the associated domain name for that device to remain
unchanged. The device in many cases is a server that provides
information to clients. While an IP address must be assigned to the
server, an optional domain name can be used to identify the device.
DVMR
Digital Video Multiplexing Recorder. A recorder that gathers and
compresses video in a digital format to be saved on a hard drive. A
DVMR is much different than a DVR. The DVMR is actually a
multiplexing recorder, recording each individual channel in full
screen to allow the best possible playback quality. Do to the
advances in digital imaging, DVRs and DVMRs have come a long way and
are quickly replacing VHS systems.
DIGITAL RECORDING
Technology that enables images from a camera to be stored on a hard
drive. A digital recorder provides clearer images than videotape and
faster access to them.
dB
Basically, a measure of the power ratio of two signals. In system
use, a measure of the voltage ratio of two signals, provided they
are measured across a common impedance.
DECODER
The circuitry in a color TV receiver which transforms the detected
color signals into a form suitable to operate the color tube.
DEPTH OF FIELD
The in-focus range of a lens or optical system. It is measured from
the distance behind an object to the distance in front of the object
when the viewing lens shows the object to be in focus.
DEPTH OF FOCUS
The range of sensor-to-lens distance for which the image formed by
the lens is clearly focused.
DIGITAL SIGNAL PROCESSING
An algorithm within the camera that digitizes data (the image).
Examples include automatic compensate for backlight interference,
color balance variations and corrections related to aging of
electrical components or lighting. Functions such as electronic pan
and zoom, image annotation, compression of the video for network
transmission, feature extraction and motion compensation can be
easily and inexpensively added to the camera feature set.
DISTORTION
The deviation of the received signal waveform from that of the
original transmitted waveform.
DYNAMIC RANGE
The difference between the maximum acceptable signal level and the
minimum acceptable signal level.
Electronic Shutter
A camera feature that compensates for changes in light conditions,
from bright sunlight to dim indoor lighting.
ETHERNET
A local area network protocol that operates at OSI layer 2. This
protocol is responsible for host to host communication and provides
a method of media access for multiple computers to share. In older
applications, the shared medium is a coaxial cable (RG8 or RG58
equivalent). Today, we find most applications to utilize a
unshielded twisted pair (UTP) cable for connections rather than
coaxial. There are several revised additions to the original
standard, each describing a method of sharing a single medium with
multiple devices. Each standards also specifies the speed at which
data can be transferred. For instance, the 10baseT Ethernet cable
standard specifies 10Mbit/sec data transfer over twisted pair cable
that will not allow a device to transmit and receive data
simultaneously. 100baseTX (Fast Ethernet) allows data to be sent and
receive simultaneously providing faster data transmission at
100Mbit/sec over twisted pair cable.
FIELD OF VIEW (FOV)
The image area produced by any camera and lens combination (See
focal length) .
FOCAL LENGTH
The distance from the center of the lens to the point where it
focuses light. The combination of focal length and CCD format
determines a camera's field of view. The shorter the focal length,
the wider the field of view.
FOOT -CANDLE
A unit of luminance, incident light, or illumination equal to 1
lumen per square foot. This is the luminance provided by a light
source of one candle at a distance of 1 foot, hence the name.
FIELD
One of the two equal but vertically separated parts into which a
television frame is divided in an interlaced system of scanning. A
period of 1/60 second separates each field start time.
FIELD OF VIEW
The maximum angle of view that can be seen through a lens or optical
instrument.
FOCAL LENGTH
Of a lens, the distance from the focal point to the principal point
of the lens.
FOCAL PLANE
A plane (through the focal point) at right angles to the principal
point of the lens.
FOCAL POINT
The point at which a lens or mirror will focus parallel incident
radiation.
FRAME
The total area, occupied by the television picture, which is scanned
while the picture signal is not blanked.
GAIN
Gain is an increase or decrease in the strength of an electrical
signal. An increase in voltage or power, usually expressed in dB.
GAMMA
A numerical value, or the degree of contrast in a television
picture, which is the exponent of that power law which is used to
approximate the curve of output magnitude versus input magnitude
over the region of interest.
GHOST
A spurious image resulting from an echo.
HUM
Electrical disturbance at the power supply frequency or harmonics
thereof.
INTERFERENCE
Extraneous energy which tends to interfere with the reception of the
desired signals.
IRIS
An adjustable aperture built into a camera lens to permit control of
the amount of light passing through the lens.
JITTER
Small, rapid variations in a waveform due to mechanical disturbances
or to changes in the characteristic of components. Supply voltages,
imperfect synchronizing signals, circuits, etc.
LUX
A unit measuring the intensity of light. The light of a full moon is
about 0.1 lux, while bright sunlight is about 100,000 lux.
Basically, the lower the rating the better the camera performs at
night. 1.0 lux in video means light level of a candle light. l Lux
approximately equals to 10 foot-candles (1 Lux = 10.764 fc).
International System (Sl) unit of illumination in which the meter is
the unit of length. One lux equals one lumen per square meter.
LENS
A transparent optical component consisting of one or more pieces of
optical glass with surfaces so curved (usually Spherical), that they
serve to converge or diverge the transmitted rays of an object, thus
forming a real or virtual image of that object.
LENS SPEED
Refers to the ability of a lens to transmit light, represented as
the ratio of the focal length to the diameter of the lens. A fast
lens would be rated f/8. The larger the f number, the slower the
lens.
LIGHT
Electromagnetic radiation detectable by the eye, ranging in
wavelength from about 400 to 750 nm.
LOOP THROUGH
Also called looping. The method of feeding a series of high
impedance circuits (such as multiple monitor/displays in parallel)
from a pulse or video source with a coax transmission line in such a
manner that the line is bridged (with minimum length stubs) and that
the last unit properly terminates the line in its characteristic
impedance. This minimizes discontinuities or reflections on the
transmission line.
LOSS
A reduction in signal level or strength, usually expressed in dB.
Power dissipation serving no useful purpose.
MONITOR
A unit of equipment that displays on the face of a picture tube the
images detected and transmitted by a television camera.
M-JPEG
Motion Joint Photographic Experts Group. A compression technique for
moving images which applies JPEG still image compression to each
frame of a moving picture sequence. Playback requires a machine
capable of decompressing and displaying each JPEG image quickly
enough to sustain the required frame rate of the picture sequence.
M-JPEG offers the highest resolution during playback, but is the
least efficient in storage.
MULTIPLEXER (Mux)
A device that accepts video signals from a number of cameras and
encodes them into one signal that is recorded on a digital recorder
or VCR. The multiplexer also decodes the recording, so it can play
back motion video from one camera at a time or several cameras all
at once to one monitor. Many multiplexers also display several
camera views at a time on a monitor while sending images to a
recorder.
NOISE
Electrical energy or interference that appears on the screen as a
grainy picture or "snow".
NTSC
National Television Standards Council. A video format standard used
in North America, Japan, and parts of South America. Abbreviation
for National Television Systems Committee. A committee that worked
with the FCC in formulating standards for the present day United
States color television system.
OUTPUT
The signal level at the output of an amplifier or other device.
PAL
Phase Alternating Current. A video format standard used in Europe,
Australia, China, etc.
PIR
Passive infrared. A motion detector that senses body heat to detect
motion.
PTZ
Pan Tilt Zoom. You will find some video cameras that allow these
functions with a series of motors and special housings. Sometimes,
you will find units that provide pan and tilt movements only.
PAN AND TILT
A device upon which a camera can be mounted that allows movement in
both the azimuth (pan) and in the vertical plane (tilt).
PAN/TILT PRESET POSITIONING
Follower pots are installed on pan/tilt unit to allow feedback to
the controller and provides information relevant to horizontal and
vertical positioning, allowing the controller to quickly adjust to a
pre-selected scene automatically.
PIXEL
Short for Picture Element. A pixel is the smallest area of a
television picture capable of being delineated by an electrical
signal passed through the system of part thereof. The number of
picture elements (pixels) in a complete picture, and their geometric
characteristics of vertical height and horzontal width, provide
information on the total amount of detail which the raster can
display and on the sharpness of the detail, respectively.
PRIMARY COLORS
Three colors wherein no mixture of any two can produce the third. In
color television these are the additive primary colors red, blue and
green.
RISC
Reduced Instruction Set Computer. Processors whose design is based
on RISC provide a rapid execution of a sequence of simple
instructions rather than on the provision of a large variety of
complex instructions. This provides for faster decoding and simple
addressing modes where more complex modes are replaced by sequences
of simple arithmetic instructions.
RJ-45
A serial connector that looks very similar to a standard telephone
connector, except that it houses eight wires instead of four.
RESOLUTION (HORIZONTAL)
The amount of resolvable detail in the horizontal direction in a
picture. It is usually expressed as the number of distinct vertical
lines, alternately black and white, which can be seen in a distance
equal to picture height. A measure of the ability of the camera or
monitor to reproduce detail. The higher the resolution the clearer
the image.
RESOLUTION (VERTICAL)
The amount of resolvable detail in the vertical direction in a
picture. It is usually expressed as the number of distinct
horizontal lines, alternately black and white, which can
theoretically be seen in a picture. A measure of the ability of the
camera or monitor to reproduce detail. The higher the resolution the
clearer the image.
ROLL
A loss of vertical synchronization which causes the picture to move
up or down on a receiver or monitor.
Switcher
A device that switches views from several cameras to one or more
monitors.
S/N (signal-to-noise) Ratio
The ratio between useful video signal and unwanted noise. The higher
the number, the better the image quality.
SATURATION
In color, the degree to which a color is diluted with white light or
is pure. The vividness of a color, described by such terms as
bright, deep, pastel, pale, etc. Saturation is directly related to
the amplitude of the chrominance signal.
SHUTTER
Ability to control the integration (of light) time to the sensor to
less than 1/60 second; e.g: stop motion of moving traffic.
SIGNAL-TO-NOISE RATIO
The ratio between useful television signal and disturbing noise or
snow.
SHOW
Heavy random noise.
SPIKE
A transient of short duration, comprising part of a pulse, during
which the amplitude considerably exceeds the average amplitude of
the pulse.
STANDARD MINIMUM SIGNAL
1000 microvolts at 75 ohms (0dB mV) in RF systems; 0.7-VPP
non-composite, 1-VPP composite in video systems.
TCP/IP
Transmission Control Protocol / Internet Protocol. This two-layer
protocol suite is the foundation for communication on the Internet.
Any computer or device that wants to communicate over the Internet
must use the TCP/IP protocol stack. TCP provides reliable delivery
of information with the ability to correct errors during
transmission as well as provide a variety of other reliable features
to ensure proper data transfer. IP provides the logical addressing
system for any device on a network, ensuring that each unit is
identified so communication can take place. Being connectionless, IP
treats each individual packet (chunk of data) as a single unit,
providing source and destination addresses so each networked device
that receives that packet can determine where the packet originated
and where it is destined to go. IP does not care whether the
information got there or how it got there, that is why TCP and IP
must work together. Usually uses a client/server architecture where
one device (the client) requests information from another device
that supplies the wanted information (the server).
TWISTED PAIR
A cable composed of two small, insulated conductors twisted
together. Since both wires have nearly equal exposure to any
interference, unwanted noise is substantially reduced.
TEARING
A term used to describe a picture condition in which groups of
horizontal lines are displaced in an irregular manner.
TEST PATTERN
A chart especially prepared for checking overall performance of a
television system. It contains various combinations of lines and
geometric shapes. The camera is focused on the chart, and the
pattern is viewed at the monitor for fidelity.
VARIFOCAL LENS
A lens that can be manually adjusted for the desired magnification
and field of view.
VERTICAL RESOLUTION
The number of horizontal lines that can be seen in the reproduced
image of a television pattern.
WHITE BALANCE
A process used in video cameras to retain true colors.
ZOOM
To enlarge or reduce, on a continuously variable basis, the size of
a televised image primarily by varying lens focal length.
ZOOM LENS
An optical system of continuously variable focal length, the focal
plane remaining in a fixed position.
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